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1
Stand 20–30 cm farther back and slightly left of your current position so the mirror remains dominant but the red foreground shoulder/arm can be reduced or excluded.
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2
Try a vertical orientation centered on the mirror and the standing cello, cropping out some of the right-side shelving and the lower clutter for a stronger portrait-first read.
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3
Place your face near the upper-left third inside the mirror rather than centered; keep the bow and cello neck forming diagonals across the reflection.
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4
Shoot at the same time of day but add one soft bounced light from camera-left or from the room side, just enough to lift facial shadows by about half to one stop.
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5
If possible, remove or lower the bright poster on the upper right before shooting, or shift the camera so it sits outside the frame.
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6
Tidy only three things, not the whole room: the bottom stack in front of the mirror, the paper roll on the right, and one or two tape piles that touch the frame edge.
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7
Make one version with the real cello slightly closer to the mirror so the relationship between reflected player and physical instrument becomes even more intentional.
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8
Upload next: a tighter vertical crop, a cleaner version with fewer edge distractions, and one alternate with a subtle face light so we can compare mood versus clarity.